Dance. Zwingli. Dance!
Monuments to free itself from its torpor. Freshly risen from their pedestals, they must do exercises with all sorts of posturing many contortions only properly heat before they can develop individually.
Neither in life nor as a monument they have ever encountered. surprisingly, they come together now.
Carries a base to base, wants to restore its monuments, even if the socket is a rubbish.
A dispute over the base begins, the importance of protection and means.
Women's sculptures occupy the space, the lover, the mourner, the Whispering ... nameless!
Mix of music from techno to church singing and marching on to move the figures times rough as tramps, sometimes majestic as knights, sometimes graceful as the woman in apron dress.
Concept and production: Silvano Mozzini
Dramaturgical Advice: Gabor Goda (Budapest)
Guest Choreography: Jochen Heckmann
Dance, Choreography: Christiane Loch, Silvano Mozzini, Ruth Grünenfelder
Music concept: Anselm Caminada, Silvano Mozzini
Lighting Design: Johannes Knoth
Duration: 60 minutes
Video available
Sponsored by:
Presidential Department of the City of Zurich, Zurich Canton Cultural Competence Center, Association TRANSIT 1999, Vontobel Foundation, Pro Helvetia Arts Council, Vontobel Foundation, Volkart Foundation, Foundation for Promotion of Arts which present, Stanley Thomas Johnson Foundation, Cinemax, Hardturm Immobilien AG and operator companies, West Immo AG, Konrad Farben AG, Welti-Furrer AG, pulse group appreciation Zurich West, Tele Züri (Patrick Schellenberg and Stefan Reinhart)
We offer summaries for:
Dance and theater festivals | Open air perfomances |
Private and Corporate Events | Literature Meetings | Museums
Press
'... As Zwingli stormed with fire against sacred images, such as the red dressed woman Pestalozzi sinks into the socket, as the dancers get lost on the road and confuse motorists - those are safe effects. (Tages-Anzeiger)
"... Rasant follows a scene on the other. Dancers shake the bases of the pillars of celebrities and they can explore as undead comical way our city ..."
(Neue Zürcher Zeitung)
'The staging impressed again successful with very imaginative, witty, and expressive dance scenes. " (Zurcher Oberland)
Monuments to free itself from its torpor. Freshly risen from their pedestals, they must do exercises with all sorts of posturing many contortions only properly heat before they can develop individually.
Neither in life nor as a monument they have ever encountered. surprisingly, they come together now.
Carries a base to base, wants to restore its monuments, even if the socket is a rubbish.
A dispute over the base begins, the importance of protection and means.
Women's sculptures occupy the space, the lover, the mourner, the Whispering ... nameless!
Mix of music from techno to church singing and marching on to move the figures times rough as tramps, sometimes majestic as knights, sometimes graceful as the woman in apron dress.
Concept and production: Silvano Mozzini
Dramaturgical Advice: Gabor Goda (Budapest)
Guest Choreography: Jochen Heckmann
Dance, Choreography: Christiane Loch, Silvano Mozzini, Ruth Grünenfelder
Music concept: Anselm Caminada, Silvano Mozzini
Lighting Design: Johannes Knoth
Duration: 60 minutes
Video available
Sponsored by:
Presidential Department of the City of Zurich, Zurich Canton Cultural Competence Center, Association TRANSIT 1999, Vontobel Foundation, Pro Helvetia Arts Council, Vontobel Foundation, Volkart Foundation, Foundation for Promotion of Arts which present, Stanley Thomas Johnson Foundation, Cinemax, Hardturm Immobilien AG and operator companies, West Immo AG, Konrad Farben AG, Welti-Furrer AG, pulse group appreciation Zurich West, Tele Züri (Patrick Schellenberg and Stefan Reinhart)
We offer summaries for:
Dance and theater festivals | Open air perfomances |
Private and Corporate Events | Literature Meetings | Museums
Press
'... As Zwingli stormed with fire against sacred images, such as the red dressed woman Pestalozzi sinks into the socket, as the dancers get lost on the road and confuse motorists - those are safe effects. (Tages-Anzeiger)
"... Rasant follows a scene on the other. Dancers shake the bases of the pillars of celebrities and they can explore as undead comical way our city ..."
(Neue Zürcher Zeitung)
'The staging impressed again successful with very imaginative, witty, and expressive dance scenes. " (Zurcher Oberland)
Photos: Phil Dänzer